| 2024 | Il Rinascimento a Brescia | campaigns, exhibition graphics, poster, visual identity | arts, culture, education, exhibition | Fondazione Brescia Musei |
| 2024 | VIVE Vittoriano e Palazzo Venezia | campaigns, environmental graphics, exhibition graphics, merchandise, visual identity | arts, culture, institutions, museum | VIVE Vittoriano e Palazzo Venezia |
| 2024 | Storie del Risorgimento italiano | campaigns, editorial design, exhibition graphics, poster, signage, visual identity | exhibition | Panstudio architetti associati, VIVE Vittoriano e Palazzo Venezia |
| 2023 | La Dea Roma e l’Altare della Patria | campaigns, editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | VIVE Vittoriano e Palazzo Venezia |
| 2023 | Bronzo & Oro | campaigns, editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | VIVE Vittoriano e Palazzo Venezia |
| 2023 | Giacomo Ceruti & David Lachapelle | campaigns, digital & web, environmental graphics, exhibition graphics, merchandise, motion graphics, poster, visual identity | arts, culture, exhibition, institutions | Fondazione Brescia Musei |
| 2023 | Nuove cantine italiane. Territori e architetture | campaigns, editorial design, exhibition graphics, poster, visual identity | architecture, exhibition | Electa |
| 2022 | Italy & Alliance Graphique Internationale | campaigns, editorial design, environmental graphics, exhibition graphics, merchandise, strategy, visual identity | culture, design, exhibition, institutions, publishing | ERPAC Friuli Venezia Giulia |
| 2022 | CČCC Carà Černigoj Claris Corva | exhibition graphics, strategy | arts, culture, design, exhibition | autoproduzione |
| 2022 | Vittoria Alata Brescia 2020–2022 | campaigns, editorial design, environmental graphics, exhibition graphics, merchandise, motion graphics, poster, strategy, visual identity | arts, culture, exhibition, institutions, museum | Fondazione Brescia Musei |
| 2022 | Isgrò cancella Brixia | exhibition graphics, motion graphics, poster, visual identity | culture, design, exhibition, institutions | Fondazione Brescia Musei |
| 2022 | Premio Federico Maggia | editorial design, exhibition graphics, visual identity | architecture, exhibition | Fondazione Sella |
| 2021 | L’alba della modernità | editorial design, exhibition graphics, visual identity | architecture, arts, culture, exhibition, institutions, publishing | Electa, Parco Archeologico del Colosseo |
| 2021 | Museo del vetro d’artista | exhibition graphics | culture, institutions, museum | Fondazione Oderzo Cultura |
| 2021 | Alfred Seiland. Imperium Romanum | exhibition graphics, poster, visual identity | exhibition, institutions | Fondazione Brescia Musei |
| 2020 | Raffaello e la Domus Aurea | editorial design, exhibition graphics | arts, culture, exhibition, institutions, publishing | Electa, Parco Archeologico del Colosseo |
| 2020 | Juan Navarro Baldeweg. Architettura, pittura, scultura | exhibition graphics, visual identity | architecture, arts, culture, exhibition, institutions | Fondazione Brescia Musei |
| 2020 | Both ways | exhibition graphics, visual identity | design, exhibition | Comitato Trieste Contemporanea |
| 2019 | Canova. I volti ideali | editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | Electa, GAM Galleria d'Arte Moderna Milano |
| 2019 | Plessi a Caracalla | exhibition graphics, visual identity | arts, exhibition, publishing | Electa |
| 2019 | Domus Transitoria | editorial design, exhibition graphics, signage, visual identity | culture, institutions, museum, publishing | Electa |
| 2019 | Siza antes do Siza | exhibition graphics, visual identity | architecture, exhibition | Mondadori Editore |
| 2018 | Pompei e gli Etruschi | campaigns, editorial design, exhibition graphics, visual identity | culture, exhibition, institutions, publishing | Electa, Parco Archeologico di Pompei |
| 2018 | Roma Universalis | campaigns, editorial design, environmental graphics, exhibition graphics, signage, visual identity | culture, exhibition, institutions, publishing | Electa |
| 2018 | Vatican Chapels | campaigns, editorial design, exhibition graphics, merchandise, visual identity | architecture, exhibition, institutions, retail | Electa, Pontificio Consiglio della Cultura |
| 2018 | Mauro Staccioli. Sensibile ambientale | editorial design, exhibition graphics, visual identity | arts, exhibition, institutions, publishing | Electa |
| 2017 | Carta Bianca. Capodimonte Imaginaire | editorial design, exhibition graphics, signage, visual identity | arts, culture, exhibition, institutions, publishing | Electa |
| 2017 | Amori Divini | campaigns, editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | Electa, Museo Archeologico Nazionale di Napoli |
| 2017 | Pompei e i Greci | campaigns, environmental graphics, exhibition graphics, merchandise, visual identity | culture, exhibition, institutions, publishing | Electa, Parco Archeologico di Pompei |
| 2017 | Colosseo. Un’icona | campaigns, exhibition graphics, visual identity | arts, culture, exhibition, institutions | Electa |
| 2017 | Albrecht Dürer. Come sentirò freddo dopo il sole | editorial design, exhibition graphics, visual identity | arts, exhibition, publishing | Electa |
| 2016 | Atom: the cutting factory | editorial design, exhibition graphics, strategy, visual identity | corporate, design, exhibition, institutions | Atom |
| 2015 | La forza delle rovine | campaigns, editorial design, exhibition graphics, visual identity | culture, exhibition, institutions, publishing | Electa |
| 2015 | Giotto, l’Italia | editorial design, exhibition graphics, merchandise, visual identity | arts, culture, exhibition, institutions, publishing | Electa |
| 2015 | Mito e natura | campaigns, editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions | Comune di Milano, Electa |
| 2014 | Museo Palatino | exhibition graphics, signage, visual identity | culture, institutions, museum | Electa |
| 2014 | Nieto Sobejano Arquitectos | editorial design, environmental graphics, exhibition graphics, visual identity | architecture, culture, exhibition | Edicer |
| 2014 | Museo del Porto di Trieste | environmental graphics, exhibition graphics, signage, strategy, visual identity | architecture, culture, design, institutions, museum | Autorità Portuale di Trieste |
| 2013 | Museo Archeologico Nazionale di Reggio Calabria | campaigns, exhibition graphics, signage, visual identity | arts, culture, institutions, museum | Ministero della Cultura, Direzione Regionale della Calabria |
| 2013 | Post Classici. Antico e arte contemporanea | editorial design, environmental graphics, exhibition graphics, signage, visual identity | arts, culture, exhibition, institutions, publishing | Electa |
| 2012 | L’architettura del mondo | campaigns, editorial design, exhibition graphics, visual identity | architecture, exhibition, institutions, publishing | La Triennale di Milano |
| 2012 | Museo di Palazzo Pretorio di Prato | environmental graphics, exhibition graphics, signage, strategy | architecture, arts, competition, culture, institutions, museum | Comune di Prato |
| 2012 | Frank Lloyd Wright e le stampe giapponesi | exhibition graphics, visual identity | architecture, arts, culture, exhibition, institutions | Civico Museo Revoltella Trieste |
| 2011 | Sicilia Arte Archeologia Architettura Antichità | editorial design, exhibition graphics, visual identity | competition, culture, institutions, museum | Electa |
| 2011 | Nerone | campaigns, editorial design, environmental graphics, exhibition graphics, visual identity | culture, exhibition, institutions, publishing | Electa |
| 2010 | George Hardie & Nicholas Blechman | exhibition graphics, poster, strategy | design, exhibition, self-production | autoproduzione |
| 2010 | Gladiatores | campaigns, editorial design, environmental graphics, exhibition graphics, visual identity | culture, exhibition, institutions, publishing | Electa |
| 2009 | Divus Vespasianus | campaigns, editorial design, environmental graphics, exhibition graphics, visual identity | culture, exhibition, institutions, publishing | Electa |
| 2009 | La Collezione Farnese | campaigns, exhibition graphics, signage, visual identity | arts, culture, exhibition, institutions, museum | Electa |
| 2009 | Paula Scher & Paul Cox | exhibition graphics, poster, strategy | design, exhibition, self-production | autoproduzione |
| 2008 | Rovine e rinascite dell’arte | editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | Electa |
| 2008 | Ercolano, tre secoli di scoperte | editorial design, exhibition graphics, visual identity | culture, exhibition, institutions, publishing | Electa |
| 2008 | Museo Archeologico dei Campi Flegrei | exhibition graphics, visual identity | culture, institutions, museum | Electa |
| 2008 | Trionfi romani | campaigns, editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | Electa |
| 2007 | Rosso pompeiano | editorial design, environmental graphics, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | Electa |
| 2007 | Alma Tadema e la nostalgia dell’antico | editorial design, exhibition graphics | arts, exhibition, publishing | Electa |
| 2007 | In scæna | campaigns, editorial design, environmental graphics, exhibition graphics, visual identity | culture, exhibition, institutions, publishing | Electa |
| 2007 | Lucio Fontana scultore | campaigns, environmental graphics, exhibition graphics, visual identity | arts, culture, exhibition, institutions | Electa |
| 2007 | Eros | campaigns, editorial design, environmental graphics, exhibition graphics, merchandise, strategy, visual identity | arts, culture, exhibition, institutions, publishing | Electa |
| 2006 | Roma Barocca | editorial design, exhibition graphics, visual identity | architecture, culture, exhibition, institutions, publishing | Electa |
| 2005 | Dal 2000 al futuro | editorial design, exhibition graphics, visual identity | architecture, culture, exhibition, institutions, publishing | Regione Campania |
| 2005 | Histria. Opere d’arte restaurate da Paolo Veneziano a Tiepolo | editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | Comune di Trieste |
| 2005 | Franco Albini. Musei e allestimenti | editorial design, exhibition graphics, visual identity | architecture, culture, design, education, exhibition, publishing | Politecnico di Milano |
| 2004 | Trieste Anni Cinquanta | campaigns, editorial design, environmental graphics, exhibition graphics, strategy, visual identity | architecture, arts, culture, design, exhibition, institutions | Comune di Trieste |
| 2004 | Lina Bo Bardi architetto | campaigns, exhibition graphics, visual identity | architecture, publishing | IUAV Istituto Universitario di Architettura di Venezia |
| 2003 | Alessandro Anselmi. Il municipio di Fiumicino | exhibition graphics | exhibition | Università degli Studi Roma Tre |
| 2003 | La stazione TAV di Firenze | editorial design, exhibition graphics, strategy, visual identity | architecture, corporate, exhibition, publishing | TAV Treno Alta Velocità |
| 2003 | La Biennale di Venezia – 50a Esposizione Internazionale d’Arte | campaigns, editorial design, environmental graphics, exhibition graphics, merchandise, visual identity | arts, culture, exhibition, institutions, publishing | La Biennale di Venezia |
| 2003 | Il Tempio Vaticano | exhibition graphics, visual identity | architecture, culture, exhibition | Chorus cultura |
| 2002 | Le città in/visibili | campaigns, exhibition graphics, visual identity | architecture, culture, exhibition, institutions | Triennale di Milano |
| 2002 | Nuova architettura italiana a Firenze | editorial design, exhibition graphics | architecture, corporate, exhibition, publishing | Immobiliare Novoli |
| 2001 | Luigi Moretti. Immagini di architettura | exhibition graphics, visual identity | architecture, culture, exhibition, publishing | IUAV Istituto Universitario di Architettura di Venezia |
| 1999 | Aldo Rossi 1931–1997 | exhibition graphics, visual identity | exhibition | Triennale di Milano |
| 1999 | Alvaro Siza architetto | exhibition graphics, poster, visual identity | architecture, culture, exhibition | Abaco architettura |
| 1998 | Alvar Aalto 1898–1976 | environmental graphics, exhibition graphics, strategy, visual identity | architecture, culture, exhibition, institutions | Centro Internazionale d'Arte e di Cultura di Palazzo Te |
| 1997 | Arte e Stato. Esposizioni nelle Tre Venezie 1927–1944 | exhibition graphics | arts, culture, exhibition, institutions | Comune di Trieste |
| 1996 | Carlo Sbisà | exhibition graphics, visual identity | arts, culture, exhibition, institutions | Civico Museo Revoltella Trieste |
| 1996 | Jim Dine’s Venus | editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | Civico Museo Revoltella Trieste |
| 1996 | Viaggio nel ’900. Le collezioni di Manlio Malabotta | exhibition graphics, visual identity | arts, culture, exhibition, institutions | Civico Museo Revoltella Trieste |
| 1996 | Nino Perizi. Opere 1935–1993 | exhibition graphics, visual identity | arts, culture, exhibition, institutions | Civico Museo Revoltella Trieste |
| 1996 | Pasquale Revoltella 1795–1869 | exhibition graphics, visual identity | culture, exhibition, institutions | Civico Museo Revoltella Trieste |
| 1995 | James Rosenquist. Gli anni Novanta | editorial design, exhibition graphics, visual identity | arts, culture, exhibition, institutions, publishing | Civico Museo Revoltella Trieste |
| 1995 | Dall’aquila al leone | campaigns, editorial design, exhibition graphics, visual identity | corporate, culture, exhibition, institutions, publishing | Generali |
| 1995 | Trieste Venezia e le Biennali | exhibition graphics, visual identity | arts, culture, exhibition, institutions | Civico Museo Revoltella Trieste |
| 1991 | Antiquarium Villa Savorgnan | exhibition graphics | culture, institutions, museum | Soprintendenza per i Beni Artistici e Storici del Friuli Venezia Giulia |
| 1990 | Mobilità | campaigns, exhibition graphics, visual identity | design | Consorzio Trieste Arreda |
| 1990 | Librografica | exhibition graphics | culture, exhibition, institutions, self-production | TassinariVetta |
| 1988 | In cantiere | editorial design, exhibition graphics, visual identity | culture, exhibition, institutions, publishing | Comune di Monfalcone |
| 1987 | Gustavo Pulitzer Finali | campaigns, environmental graphics, exhibition graphics, visual identity | architecture, culture, design, exhibition, institutions | Provincia di Trieste |
| 1987 | L’Immaginario Scientifico | editorial design, exhibition graphics, illustration, visual identity | culture, exhibition, institutions, publishing, science | AISA Associazione Interculturale per la Scienza e l’Arte, Fiera di Milano, Immaginario Scientifico |
| 1987 | Museo del Castello di Miramare | exhibition graphics, signage | arts, culture, institutions, museum | Soprintendenza per i Beni Artistici e Storici del Friuli Venezia Giulia |
| 1986 | Trouver Trieste. L’Imaginaire Scientifique | campaigns, editorial design, exhibition graphics, visual identity | culture, exhibition, institutions, publishing, science | Editoriale Libraria |
| 1985 | Avanguardie in Austria | campaigns, exhibition graphics, visual identity | arts, culture, exhibition, institutions | Provincia di Trieste |
| 1985 | Trouver Trieste | campaigns, editorial design, exhibition graphics, visual identity | architecture, arts, culture, design, exhibition, institutions, publishing | Azienda di Soggiorno e Turismo di Trieste |
| 1985 | Mario Botta. Architetture 1960–1985 | exhibition graphics, visual identity | architecture, culture, design, exhibition, institutions | Comune di Venezia |
| 1985 | Frontiere d’avanguardia | environmental graphics, exhibition graphics, illustration, typography, visual identity | arts, culture, design, exhibition, institutions | Provincia di Gorizia |
| 1984 | Carlo Scarpa 1906–1978 | editorial design, exhibition graphics, visual identity | architecture, culture, design, exhibition, institutions | Comune di Venezia |
| 1982 | Atlante dei mondi lontani | editorial design, exhibition graphics, strategy, visual identity | culture, exhibition | Azienda di Soggiorno e Turismo di Trieste |
| 1982 | Museo Civico di Pistoia | editorial design, exhibition graphics, visual identity | arts, culture, institutions, museum | Comune di Pistoia |
| 1981 | L’anima e le forme. Budapest 1890–1919 | exhibition graphics, visual identity | architecture, arts, culture, design, exhibition, institutions | Comune di Venezia |
| 1980 | Il teatro italiano 1945–1955. Fotografie di Gastone Bosio | environmental graphics, exhibition graphics, visual identity | culture, exhibition, institutions, theatre | Civico Museo Biblioteca dell’Attore del Teatro di Genova |
| 1980 | Pistoia, la città e gli artisti | editorial design, exhibition graphics, visual identity | architecture, arts, culture, exhibition, institutions, science | Comune di Pistoia |
| 1978 | Ottant’anni di allestimenti della Biennale | exhibition graphics, visual identity | culture, design, exhibition, institutions | ASAC Archivio Storico Arti Contemporanee |
| 1977 | Tavole parolibere e tipografia futurista | exhibition graphics, typography, visual identity | arts, culture, design, institutions | ASAC Archivio Storico Arti Contemporanee |
| 1977 | Russolo. L’arte dei rumori | exhibition graphics, typography, visual identity | exhibition, institutions | ASAC Archivio Storico Arti Contemporanee |
