2023 | Edizioni EL & Einaudi Ragazzi | digital & web, editorial design, illustration, merchandise, motion graphics, typography, visual identity | arts, design, publishing | Edizioni EL |
2023 | Il Pugile e la Vittoria | digital & web, illustration, motion graphics, poster, visual identity | arts, culture, exhibition, institutions | Fondazione Brescia Musei |
2020 | Dante Alighieri | illustration | culture, publishing | La Lettura Corriere della Sera |
2011 | Sotto quale cielo? | illustration, visual identity | arts, exhibition, institutions | Museo regionale d’Arte Moderna e Contemporanea Palazzo Belmonte Riso |
2010 | Strogatz art | illustration | publishing | The New York Times Magazine Book Review |
2005 | Nobody’s perfect | illustration | culture, exhibition, institutions | The New York Times Magazine |
2005 | Palabras para conocer el mundo | illustration | publishing | Editorial Santillana |
2002 | Scheufelen Calendar 2003 | illustration, strategy | corporate, design | Scheufelen Papierfabrik |
1992 | Epeo | editorial design, illustration, strategy, typography, visual identity | architecture, arts, culture, publishing, self-production | autoproduzione |
1991 | Campagna Despar autunno | campaigns, illustration | corporate, retail | Scambi Commerciali |
1991 | Campagna Despar estate | campaigns, illustration | corporate, retail | Scambi Commerciali |
1991 | Campagna Despar primavera | campaigns, illustration | corporate, retail | Scambi Commerciali |
1991 | Campagna Despar inverno | campaigns, illustration | corporate, retail | Scambi Commerciali |
1991 | Campagne | illustration | corporate, retail | Scambi Commerciali |
1990 | Campagna 1991 | campaigns, illustration | corporate, retail | Scambi Commerciali |
1989 | Nuove aperture | campaigns, illustration | retail | Scambi Commerciali |
1989 | Il candelabro della lanterna | illustration | architecture | Gianpaolo Bartoli |
1988 | Nuove aperture | campaigns, illustration | retail | Scambi Commerciali |
1988 | Calendario TassinariVetta 1989 | editorial design, illustration | self-production | autoproduzione |
1987 | L’Immaginario Scientifico | editorial design, exhibition graphics, illustration, visual identity | culture, exhibition, institutions, publishing, science | AISA Associazione Interculturale per la Scienza e l’Arte, Fiera di Milano, Immaginario Scientifico |
1987 | Campagna comunicazione Eurospar | campaigns, illustration | corporate, retail | Scambi Commerciali |
1987 | Nuove aperture | campaigns, illustration | retail | Scambi Commerciali |
1987 | Strato | illustration | corporate | Nuova Comunicazione |
1987 | Casa della farmacista | illustration | architecture | Giancarlo Leoncilli |
1986 | Oscar Fantasy | editorial design, illustration | publishing | Mondadori Editore |
1985 | Nuove aperture | campaigns, illustration | retail | Scambi Commerciali |
1985 | Frontiere d’avanguardia | environmental graphics, exhibition graphics, illustration, typography, visual identity | arts, culture, design, exhibition, institutions | Provincia di Gorizia |
1985 | Tomi Baldassi. Mago Merlino | illustration | corporate, culture | Panarecord |
1985 | Calendario TassinariVetta 1986 | editorial design, illustration | self-production | autoproduzione |
1984 | Luc Orient | illustration | corporate, culture | CGD |
1984 | Oscar Fantascienza | editorial design, illustration | publishing | Mondadori Editore |
1980 | Gramma | editorial design, illustration | institutions, publishing | Comune di Venezia |
1979 | Coloramitù | illustration | publishing | Arsenale Editrice |