| 2024 | Casabella | editorial design, strategy | architecture, culture, publishing | Mondadori Editore |
| 2023 | BPS Campus | campaigns, environmental graphics, merchandise, strategy | architecture, corporate, culture, design | Banca Patrimoni Sella & C |
| 2023 | NordEst Multimedia | strategy, typography, visual identity | culture, publishing | NordEst Multimedia |
| 2022 | Italy & Alliance Graphique Internationale | campaigns, editorial design, environmental graphics, exhibition graphics, merchandise, strategy, visual identity | culture, design, exhibition, institutions, publishing | ERPAC Friuli Venezia Giulia |
| 2022 | CČCC Carà Černigoj Claris Corva | exhibition graphics, strategy | arts, culture, design, exhibition | autoproduzione |
| 2022 | Alliance Graphique Internationale Congress 2022 | strategy | culture, design, self-production | autoproduzione |
| 2022 | Vittoria Alata Brescia 2020–2022 | campaigns, editorial design, environmental graphics, exhibition graphics, merchandise, motion graphics, poster, strategy, visual identity | arts, culture, exhibition, institutions, museum | Fondazione Brescia Musei |
| 2021 | ITS & ITS Arcademy | digital & web, merchandise, strategy, visual identity | design, museum | Fondazione ITS |
| 2020 | Aquileia Unesco World Heritage | environmental graphics, signage, strategy, visual identity | architecture, culture, design, institutions | Fondazione Aquileia |
| 2020 | Banca Patrimoni Sella & C | strategy, typography, visual identity | corporate | Banca Patrimoni Sella & C |
| 2020 | Museo Ferroviario di Trieste Campo Marzio | strategy | culture, institutions, museum | Fondazione FS Italiane |
| 2020 | L’Ursus & il Museo del Mare di Trieste | strategy | culture, institutions, museum | Autorità di Sistema Portuale del Mare Adriatico Orientale |
| 2018 | SISSA 40 years! | campaigns, editorial design, merchandise, strategy, visual identity | education, institutions, science | SISSA Scuola Internazionale Superiore di Studi Avanzati |
| 2018 | Banca Sella | strategy, typography, visual identity | corporate | Banca Sella |
| 2017 | Fondazione Teatro Lirico Giuseppe Verdi | campaigns, strategy, visual identity | competition, culture, institutions, theatre | Fondazione Teatro Lirico Giuseppe Verdi |
| 2016 | Università degli Studi di Milano | signage, strategy, visual identity | education, institutions | Università degli Studi di Milano |
| 2016 | Il Fondaco dei Tedeschi, Venezia, OMA | editorial design, strategy | architecture, culture, publishing | Electa |
| 2016 | Banca Patrimoni Sella & C – signage | environmental graphics, signage, strategy | corporate | Banca Patrimoni Sella & C |
| 2016 | Atom: the cutting factory | editorial design, exhibition graphics, strategy, visual identity | corporate, design, exhibition, institutions | Atom |
| 2014 | Museo del Porto di Trieste | environmental graphics, exhibition graphics, signage, strategy, visual identity | architecture, culture, design, institutions, museum | Autorità Portuale di Trieste |
| 2013 | Palazzo Bricherasio, Torino | campaigns, environmental graphics, strategy | architecture, corporate, culture, design | Banca Patrimoni Sella & C |
| 2013 | MAST. | editorial design, environmental graphics, merchandise, signage, strategy, typography, visual identity | culture, museum | Coesia |
| 2012 | Museo di Palazzo Pretorio di Prato | environmental graphics, exhibition graphics, signage, strategy | architecture, arts, competition, culture, institutions, museum | Comune di Prato |
| 2011 | Electa architettura art direction | editorial design, strategy, visual identity | architecture, culture, design, publishing | Electa |
| 2011 | Electa arte art direction | editorial design, strategy, visual identity | arts, culture, design, publishing | Electa |
| 2010 | Sussidiario. Grafica e caratteri moderni | editorial design, strategy | arts, design, publishing | Electa |
| 2010 | George Hardie & Nicholas Blechman | exhibition graphics, poster, strategy | design, exhibition, self-production | autoproduzione |
| 2010 | Napoli Teatro Festival Italia 2008–2010 | campaigns, editorial design, merchandise, strategy, visual identity | culture, institutions, publishing, theatre | Fondazione Campania dei Festival |
| 2010 | PerCorsi EstraVaganti Gallery | strategy, visual identity | arts, culture | Associazione Culturale PerCorsi EstraVaganti |
| 2009 | Teatro Contatto | campaigns, editorial design, poster, strategy, visual identity | culture, theatre | CSS Teatro stabile di innovazione |
| 2009 | Paula Scher & Paul Cox | exhibition graphics, poster, strategy | design, exhibition, self-production | autoproduzione |
| 2007 | Soprintendenza per i Beni Archeologici di Roma | editorial design, strategy | culture, institutions, museum, publishing | Electa |
| 2007 | Grassitypographicalassemblage | environmental graphics, strategy, visual identity | arts, culture, design, exhibition, institutions | Palazzo Grassi Punta della Dogana Pinault Collection |
| 2007 | Eros | campaigns, editorial design, environmental graphics, exhibition graphics, merchandise, strategy, visual identity | arts, culture, exhibition, institutions, publishing | Electa |
| 2005 | Parco Urbano di Bagnoli | environmental graphics, strategy | architecture, competition, design | Bagnolifutura |
| 2005 | Università IUAV di Venezia | strategy, visual identity | architecture, design, education, institutions | IUAV Istituto Universitario di Architettura di Venezia, Università IUAV di Venezia |
| 2004 | Trieste Anni Cinquanta | campaigns, editorial design, environmental graphics, exhibition graphics, strategy, visual identity | architecture, arts, culture, design, exhibition, institutions | Comune di Trieste |
| 2004 | In the Labyrinth | signage, strategy | culture, design, education | IUAV Istituto Universitario di Architettura di Venezia |
| 2003 | CSS Centro Servizi e Spettacoli | campaigns, digital & web, strategy | culture, theatre | CSS Teatro stabile di innovazione |
| 2003 | La stazione TAV di Firenze | editorial design, exhibition graphics, strategy, visual identity | architecture, corporate, exhibition, publishing | TAV Treno Alta Velocità |
| 2003 | Vivere Venezia | editorial design, poster, signage, strategy | architecture, design, education | IUAV Istituto Universitario di Architettura di Venezia |
| 2002 | Scheufelen Calendar 2003 | illustration, strategy | corporate, design | Scheufelen Papierfabrik |
| 2002 | Abecedario. La grafica del ’900 | editorial design, strategy | design, publishing | Electa |
| 2000 | Città di Trieste | campaigns, strategy, visual identity | institutions | Comune di Trieste |
| 1998 | Website Comune di Trieste | digital & web, editorial design, strategy | institutions | Comune di Trieste |
| 1998 | Alvar Aalto 1898–1976 | environmental graphics, exhibition graphics, strategy, visual identity | architecture, culture, exhibition, institutions | Centro Internazionale d'Arte e di Cultura di Palazzo Te |
| 1994 | Fahrenheit 451 | poster, strategy, typography | culture, design, exhibition, self-production | autoproduzione |
| 1992 | Epeo | editorial design, illustration, strategy, typography, visual identity | architecture, arts, culture, publishing, self-production | autoproduzione |
| 1991 | Idea | poster, strategy | arts, exhibition, self-production | autoproduzione |
| 1988 | Mostrare. L’allestimento in Italia dagli anni Venti agli anni Ottanta | editorial design, strategy | architecture, design, publishing | Edizioni Lybra Immagine |
| 1986 | Servisyst | strategy | corporate | Servisyst |
| 1984 | Teatro Contatto | campaigns, poster, strategy, visual identity | culture, theatre | CSS Teatro stabile di innovazione |
| 1982 | Atlante dei mondi lontani | editorial design, exhibition graphics, strategy, visual identity | culture, exhibition | Azienda di Soggiorno e Turismo di Trieste |
